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Sugar plums are widely associated with Christmas, through cultural phenomena such as the Sugar Plum Fairy in The Nutcracker (composed by Tchaikovsky, 1892), as well as the line, "The children were nestled all snug in their beds/While visions of sugar plums danced in their heads," from Clement C. Moore's poem A Visit from St. Nicholas (1823), better known as " 'Twas the Night Before Christmas".
[14] [15] To conclude the night, the Sugar Plum Fairy and her Cavalier perform a dance. [16] [17] A final waltz is performed by all the sweets, after which the Sugar Plum Fairy ushers Marie and the Prince down from their throne. He bows to her, kisses Marie goodbye, and leads them to a reindeer-drawn sleigh.
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
Feminist ballerina Ashley Bouder has been outspoken about body shaming in the ballet world. Here's how she's leading by example as her daughter joins her on stage this holiday "Nutcracker" season.
Claire is transported to realms such as the Land of Flowers, Snowflakes, and Sweets, while being introduced to Christmas icons like the Nutcracker Prince and the Sugar Plum Fairy.
The Sugar Plum Fairy explains that Marie created this world as a young girl and that she animated everyone with a machine that can turn toys into real people. Sugar Plum says this machine can be used to defend the three realms against Mother Ginger, but it needs a key matching the one for Clara's egg.