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Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
The New Oxford History of Music: v.2 The Early Middle Ages to 1300 (2nd ed.). Oxford University Press. pp. 3– 9. ISBN 0-19-316329-2. Jonathan Dueck sand Suzel Reily, ed. (May 2016). "The Survival Story of Syriac Chants among the St. Thomas Christians in South India". The Oxford Handbook of Music and World Christianities - Joseph J. Palackal.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Ethiopian Orthodox Christians form approximately 43.5% of the population of modern day Ethiopia. [15] Ethiopian Church music remains tightly bounded within the communities and rarely attracts attention by outsiders. Ethiopian Christian music is largely sustained by communities of descent. [16]
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
As most actions in Orthodox worship, processions are most often used to commemorate events and also, of course, to display items of religious, and particularly Orthodox, significance. Their most fundamental purpose however is, as everything in Orthodox worship, to aid in the edification and salvation of the worshippers by giving glory to God.
The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing alternate musical phrases. [1]
A debtera (or dabtara; [1] Ge'ez/Tigrinya/Amharic: ደብተራ (Däbtära); plural, Ge'ez\Tigrinya: debterat, Amharic: debtrawoch [2]) is an itinerant religious figure in the Ethiopian and Eritrean Orthodox Tewahedo Churches, [3] and the Beta Israel, [4] who sings hymns and dances for churchgoers, and who performs exorcisms and white magic to aid the congregation.