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The art is inspired by One Thousand and One Nights and the flavour text makes reference to the number as well. Scheherazade is a prominent character in the Force of Will trading card game with multiple cards named after her; "Scheherazade, the Teller of 1001 Stories", "Scheherazade. the Teller of the Crimson Moon" and "Stories Told in 1001 Nights".
Television series based on One Thousand and One Nights (11 P) Pages in category "Works based on One Thousand and One Nights " The following 10 pages are in this category, out of 10 total.
Novels based on One Thousand and One Nights (5 P) Pages in category "Literature based on One Thousand and One Nights" The following 6 pages are in this category, out of 6 total.
Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights).
Illustration of One Thousand and One Nights by Sani ol molk, Iran, 1849–1856. Leitwortstil is "the purposeful repetition of words" in a given literary piece that "usually expresses a motif or theme important to the given story." This device occurs in the One Thousand and One Nights, which binds several tales in a story cycle. The storytellers ...
At the end of 1,001 nights, and 1,000 stories, Scheherazade finally told the king that she had no more tales to tell him. She summoned her three sons that she had bore him during the 1000 nights to come in before the king (one was a nursling, one was crawling, and one could walk) and she placed them in front of the king.
As summarised by Ulrich Marzolph, Richard van Leeuwen, and Hassan Wassouf, the version in the Cairo edition of the Thousand and One Nights runs as follows: [1] A rich man in Baghdad has a son called Abu ’l-Husn. When his father dies, Abu ’l-Husn squanders his inheritance ... until he owns nothing except a slave-girl named Tawaddud.
His works achieved popularity because they depicted scenes from the everyday life of Baghdad's people and also drew on Iraqi folklore. [3] Many of Ghani's early sculptures were inspired by Iraqi folklore, especially characters from One Thousand and One Nights (widely known as the Tales of Arabian Nights ). [ 4 ]