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[1] [2] Piaf's performances were supported by orchestras conducted by Robert Chauvigny (tracks 1-3) and Guy Luypaerts (tracks 4-8). [ 1 ] [ 3 ] The notes on the back cover of the album state: "For this collection Édith Piaf has chosen eight characteristic songs of the Paris streets and cabarets, each one of which tells a story or sets a rueful ...
The following titles are compilations of Piaf's songs and not reissues of the titles released while Piaf was active. Edith Piaf: Edith Piaf (Music For Pleasure MFP 1396) 1961; Potpourri par Piaf (Capitol ST 10295) 1962; Ses Plus Belles Chansons (Contour 6870505) 1969; The Voice of the Sparrow: The Very Best of Édith Piaf, original release date ...
Chansons des Cafés de Paris is a 10-inch long-playing album from Édith Piaf that was released in 1950 on the CID label (UM233118). The album was also released with the same eight tracks in the United States on the Decca label (DL6004). Piaf was accompanied on the album by Raymond Legrand et son Orchestra. Louis Untermeyer wrote the liner ...
Chanson réaliste (French pronunciation: [ʃɑ̃sɔ̃ ʁealist], realist song) refers to a style of music performed in France primarily from the 1880s until the end of World War II. [ 1 ] [ 2 ] Influenced by literary realism and the naturalist movements in literature and theatre , chanson réaliste dealt with the lives of Paris 's poor and ...
L'Homme au piano: 1954: Sérénade du Pavé: From the film French Cancan: 1954: Sous le ciel de Paris: 1955: Un grand amour qui s'achève: 1955: Miséricorde: 1955: C'est à Hambourg: 1955: Légende: 1955: Le Chemin des forains: 1955: La Vie en rose (Spanish) 1956: Heaven Have Mercy: 1956: One Little Man: 1956 'Cause I Love You: 1956: Chante ...
The song begins, Non, rien de rien / Non, je ne regrette rien ("No, nothing at all / No, I regret nothing"). It goes on to describe how the singer has swept away all of her past and cares nothing for it, ending Car ma vie, car mes joies / Aujourd'hui, ça commence avec toi ("For my life, for my joys / Today, it starts with you").
In her biography, Piaf calls Monnot her best friend and the woman she most admired in the whole world. She also refers to her pride in having collaborated with Monnot. Piaf paid tribute to Monnot for encouraging her interest in classical music and in learning to play the piano. During the war years, from 1939 to 1945, Monnot collaborated with ...
In 1950, Nila Cara recorded the female version of the song, always with lyrics by Édith Piaf, for the album Les Chanteuses de la Place Pigalle. In 1958, Léo Chauliac recorded the song with his Orchestra for the album 25 ans de succès. In 1960, Roland Bourque recorded the song on the piano for the album Piano Moods à la Française.