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The Dada avant-garde movement touted by its proponents (Jean Arp, Kurt Schwitters, Tristan Tzara) as anti-art, dada focused on going against artistic norms and conventions. [62] The Imaginists were avant-garde post-Russian Revolution of 1917 poetic movement that created poetry based on sequences of arresting and uncommon images. [63]
Landay: a form of Afghani folk poetry that is composed as a couplet of 22 syllables. Mukhammas; Pantoum: a Malaysian verse form adapted by French poets comprising a series of quatrains, with the 2nd and 4th lines of each quatrain repeated as the 1st and 3rd lines of the next. The 2nd and 4th lines of the final stanza repeat the 1st and 3rd ...
In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6]
In literature, pace or pacing is the speed at which a story is told—not necessarily the speed at which the story takes place. [ 1 ] [ 2 ] [ 3 ] It is an essential element of storytelling that plays a significant role in maintaining reader interest, building tension, and conveying the desired emotional impact. [ 4 ]
From the mid-19th-century American movement: poetry and philosophy concerned with self-reliance, independence from modern technology [39] Ralph Waldo Emerson, Henry David Thoreau: Realism: The mid-19th-century movement based on a simplification of style and image and an interest in poverty and everyday concerns [40]
To these poets, good poetry meant simple, sensuous content and traditional, conventional and dignified form. [ citation needed ] The Movement's importance includes its worldview, which took into account the collapse of the British Empire and the United Kingdom 's drastically reduced power and influence over world geo-politics.
Punctuation is an object of interpretation in poetry; it is semantic. [4] In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the ...
Specifically, they follow a 3-4-3-4, 3-4-3-4, 3-5-4-3 rhythmic structure per line. An example of the strictness of early sijo is seen especially in their third lines. It sticks hard to the “3-5” syllable rule at the beginning of the third line. This is done so to further drive the rhetorical conclusion of the sijo. [4]