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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Neon Abyss is a side-scrolling run and gun video game with gameplay mechanics commonly associated with dungeon crawlers and platform games.Players take on the role of a member of the "Grim Squad", a group formed by an individual who identifies himself as Hades, the Greek god of the Underworld; more characters could be unlocked as the game progresses or through the purchase of downloadable ...
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Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
Archaeological masks have been found from early Paleo-Eskimo and from early Dorset culture period. [2] It is believed that these masks served several functions, including being in rituals representing animals in personalized form; [14] being used by shaman (medicine man or angakkuq) in ceremonies relating to spirits (as in the case of a wooden mask from southwestern Alaska); [15] it is also ...
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
The village is a UNESCO World Heritage Site, the dance-drama an Important Intangible Cultural Property, and a collection of thirteen (13) masks are a National Treasure. The ritual shares some of the major themes of Korean masked drama and Korean shamanism, namely satire and the ridicule of apostate Buddhist priests and the nobility. [1] [2] [3]
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