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Feelings of the beautiful "occasion a pleasant sensation but one that is joyous and smiling." On the other hand, feelings of the sublime "arouse enjoyment but with horror." Kant subdivided the sublime into three kinds. The feeling of the terrifying sublime is sometimes accompanied with a certain dread or melancholy. The feeling of the noble ...
"The various feelings of enjoyment or of displeasure rest not so much upon the nature of the external things that arouse them as upon each person's own disposition to be moved by these to pleasure or pain." This prepares the reader for Kant's description of the activities of the mind.
In Kantian philosophy, the thing-in-itself (German: Ding an sich) is the status of objects as they are, independent of representation and observation. The concept of the thing-in-itself was introduced by the German philosopher Immanuel Kant, and over the following centuries was met with controversy among later philosophers. [1]
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
Absolute music has no references to stories or images or any other kind of extramusical idea. The aesthetic ideas underlying the absolute music debate relate to Kant's aesthetic disinterestedness from his Critique of Aesthetic Judgment, and has led to numerous arguments, including a war of words between Brahms and Wagner.
The perfect perception of its real self by intelligence in the work of art is accompanied by a feeling of infinite satisfaction. Art in thus effecting a revelation of the absolute seems to attain a dignity not merely above that of nature but above that of philosophy itself. Schelling throws but little light on the concrete forms of beauty.
Schopenhauer claimed that art provides knowledge of eternal Platonic Ideas and also results in temporary relief from the pressures of willing. Arthur Schopenhauer 's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself , the ground of life and all being.
Art has aesthetic standing only as it becomes an experience for human beings. Art intensifies the sense of immediate living, and accentuates what is valuable in enjoyment. Art begins with happy absorption in activity. Anyone who does his work with care, such as artists, scientists, mechanics, craftsmen, etc., are artistically engaged.