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The phrase originates from the way deity figures appeared in ancient Greek theaters, held high up by a machine, to solve a problem in the plot. "Ἀπὸ τοῦ ἡλίου μετάστηθι" — Diogenes the Cynic — in a 1763 painting by Jacques Gamelin Ἀπὸ τοῦ ἡλίου μετάστηθι. Apò toû hēlíou metástēthi.
Phidias Showing the Frieze of the Parthenon to his Friends (1868) by Sir Lawrence Alma-Tadema. Phidias or Pheidias (/ ˈ f ɪ d i ə s /; Ancient Greek: Φειδίας, Pheidias; c. 480 – c. 430 BC) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC.
Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is ...
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical (480 ...
Lysippos (/ l aɪ ˈ s ɪ p ɒ s /; Ancient Greek: Λύσιππος) [1] was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the ...
Ancient Rome, in turn, was another avid recipient of classical Greek culture. Its sculptors took pride in working under Greek inspiration, and by multiplying copies of Greek originals that were later lost, they were the transmitters to posterity of a significant part of the culture they imitated. [71]
Sculptors native to mainland Greece or Magna Graecia active in Greece and Rome during the whole of classical antiquity. Subcategories This category has the following 5 subcategories, out of 5 total.