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Stokowski, like Ravel, uses mainly woodwind textures here; however, the two orchestrations manage to sound completely different. Stokowski's arrangement does not smooth over the dissonances as Ravel's does: it accentuates them. The string tremolos reappear in the middle section, alternating with a squeaking oboe.
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov , Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. [ 216 ]
SlideOnline allows the user to upload PowerPoint presentations and share them as a web page in any device or to embed them in WordPress as part of the posts comments. [13] Another way of sharing slides is by turning them into a video. PowerPoint allows users to export a presentation to video (.mp4 or .wmv). [14]
To change this template's initial visibility, the |state= parameter may be used: {{Maurice Ravel | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Maurice Ravel | state = expanded}} will show the template expanded, i.e. fully visible.
The Ravel scholar Roger Nichols considers the cycle "an important step in Ravel's evolution, as significant of those of Jeux d'eau and Miroirs". [10] Johnson also quotes Vuillermoz 's recollections of Ravel's own vocal mannerism of letting his voice fall a fourth or fifth at the end of a phrase – which occurs in many places in both Histoires ...
Ravel in 1914. Alborada del gracioso (The Jester's Aubade) is the fourth of the five movements of Maurice Ravel's piano suite Miroirs, written in 1905. It is about seven minutes long and, as part of the suite, has always been regularly played and recorded by pianists. Alborada was orchestrated by Ravel fourteen years later for use as a ballet ...