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Stokowski, like Ravel, uses mainly woodwind textures here; however, the two orchestrations manage to sound completely different. Stokowski's arrangement does not smooth over the dissonances as Ravel's does: it accentuates them. The string tremolos reappear in the middle section, alternating with a squeaking oboe.
Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet. [6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ...
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov , Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. [ 216 ]
Userspace essays should remain categorized in Category:User essays or one of its subcategories with this template. Essays are sorted by their page name, or in userspace by subpage name. If you want to use a different category sort, you can specify an entire category link with a sort key: |cat=[[Category:User essays on style|Comprise, Use of]]
Ravel in 1914. Alborada del gracioso (The Jester's Aubade) is the fourth of the five movements of Maurice Ravel's piano suite Miroirs, written in 1905. It is about seven minutes long and, as part of the suite, has always been regularly played and recorded by pianists. Alborada was orchestrated by Ravel fourteen years later for use as a ballet ...
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