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Many New York City Subway stations are decorated with colorful ceramic plaques and tile mosaics. Of these, many take the form of signs, identifying the station's location. Much of this ceramic work was in place when the subway system originally opened on October 27, 1904. Newer work continues to be installed each year, much of it cheerful and ...
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
Guastavino tiles form the domes of Philadelphia's St. Francis de Sales Roman Catholic Church. At Pittsburgh's Union Station, the vaulting of the carriage turnaround is a Guastavino tile system. Wall and vault tiles are by Guastavino at the Buffalo Central Terminal. In Nebraska, the tiles may be seen in the Nebraska State Capitol.
Indeed, back in the Fixer Upper heyday (we’re talking 2014 or so), most of Jo’s kitchens featured classic subway tile in a brick pattern, usually with dark grout and often climbing the wall ...
Grueby tile panel at the Astor Place subway station in the New York City Subway A Grueby Faience vase by Wilhelmina Post, made around 1910 A 1906 Grueby Faience vase. The Grueby Faience Company, founded in 1894, was an American ceramics company that produced distinctive American art pottery vases and tiles during America's Arts and Crafts Movement.
Works use durable materials like ceramic tile and mosaic, bronze, stainless steel, glass and light. MTA Arts & Design also plays an important role in design elements and architecture within passenger stations as well as industrial design elements and subway car design.
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