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Kurrent (German: [kʊˈʁɛnt]) is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift ("cursive script"), deutsche Schrift ("German script"), and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
Book hand – Legible handwriting style; Calligraphy – Visual art related to writing; Chancery hand – Any of several styles of historic handwriting (used in the records of the Court of Common Pleas) Court hand – Style of handwriting used in medieval English law courts (also known as law hand, Anglicana, cursiva antiquior, or charter hand)
Schwabacher was a blackletter form that was much used in early German print typefaces. It continued to be used occasionally until the 20th century. Characteristics of Schwabacher are: The small letter o is rounded on both sides, though at the top and at the bottom, the two strokes join in an angle. Other small letters have analogous forms.
Ludwig Sütterlin (July 23, 1865 – November 20, 1917) [1] was a graphic artist who lived in Berlin, Germany, and was most notable for designing and creating the old German blackletter handwriting Sütterlinschrift (Sütterlin script) or simply Sütterlin. Ludwig was born on July 23, 1865, in Lahr, located within the Schwarzwald (Black Forest).
Fraktur is still used among traditional Anabaptists to print German texts, while Kurrent is used as hand writing for German texts. Groups that use both forms of traditional German script are the Amish, Old Order Mennonites, Hutterites, and traditional Plautdietsch-speaking Mennonites who live mostly in Latin America today. [citation needed]
Palaeography is an essential skill for many historians, semioticians and philologists, as it addresses a suite of interrelated lines of inquiry.First, since the style of an alphabet, grapheme or sign system set within a register in each given dialect and language has evolved constantly, it is necessary to know how to decipher its individual substantive, occurrence make-up and constituency.
The "German/Gothic script" (blackletter) was embodied by Fraktur. The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in ...