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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
An icon (from Ancient Greek εἰκών (eikṓn) ' image, resemblance ') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches.
The Chi Rho (☧, English pronunciation / ˈ k aɪ ˈ r oʊ /; also known as chrismon [1]) is one of the earliest forms of the Christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek ΧΡΙΣΤΟΣ (rom: Christos) in such a way that the vertical stroke of the rho intersects the center of the chi.
Icon of the Deesis – St. Catherine's Monastery Sinai, 12th century Great Deesis with Prophets; 16th century; Walters Art Museum In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/ d eɪ ˈ iː s ɪ s /, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator ...
The icons of Christ, the Theotokos, and various saints and feasts are there because Christ, the Theotokos, the saints etc., are said to lead and guide followers into the Holy of Holies. Therefore, the personages on the icons upon the iconostasis guide followers into heaven, and therefore the iconostasis is said to connect, not separate.
The Icon of Christ of Latomos (or Latomou), also known as the Miracle of Latomos, [1] is a 5th-century Byzantine mosaic of Jesus in the monastery of Latomos (now the Church of Hosios David the Dendrite) [2] in Thessaloniki, Greece, that is an acheiropoieton (a religious image that is believed to have been made miraculously). [1]