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Interior of the Canterbury Hall, an early example of a music hall, opened 1852 in Lambeth.. Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century.
1908: Traditional English Songs by Lucy Broadwood (1858–1929) [3] 1913: The Morris Book by Cecil Sharp [2] 1913: Sword Dances of Northern England by Cecil Sharp [2] 1919: English Folk Songs From the Southern Appalachian by Cecil Sharp [2] 1922: The Country Dance Book by Cecil Sharp [2] 1923: Folk Songs of the Upper Thames by Alfred Williams [4]
In the strictest sense, English folk music has existed since the arrival of the Anglo-Saxon people in Britain after 400 AD. The Venerable Bede's story of the cattleman and later ecclesiastical musician Cædmon indicates that in the early medieval period it was normal at feasts to pass around the harp and sing 'vain and idle songs'. [1]
Beautiful Sunday (song) Beer, Beer, Beer; A Beuk o' Newcassell Sangs; Bingo (folk song) The Birthday Party (song) The Bishoprick Garland; The Bitter Withy; Blackbird (Beatles song) Blackleg Miner; Blacksmith (song) Blaydon Races; Blow the Man Down; Blow the Wind Southerly; Blyth and Tyneside Poems & Songs; Boar's Head Carol; Bob Cranky's Adieu ...
Six Songs from A Shropshire Lad; The Song and The Slogan; Song cycles (Waterhouse) A Song for the Lord Mayor's Table; Songfest: A Cycle of American Poems for Six Singers and Orchestra; Songs and Proverbs of William Blake; Songs from the Chinese; Songs of a Wayfarer; Songs of the Fleet; Songs of the Sea (Stanford) Songs of Travel; Songs Sacred ...
Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers.
The songs they played and sang were traditional favourites, "a far cry from the sophisticated and refined music of the Elizabethan court." Theater became increasingly popular when music was added. Location on stage meant everything to a theatre musician. The location gave certain effects to the sound produced.