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The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
Sonnet 42 uses feminine rhymes at the end of the lines: especially in the second quatrain as a poetic device, similar to sonnet 40. [7] " The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". [ 8 ]
First and third lines rhyme at the end, second and fourth lines are repeated verbatim. First and third lines have a feminine rhyme and the second and fourth lines have a masculine rhyme. A 1 abA 2 A 1 abA 2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second ...
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In Slovenia the sonnet became a national verse form, using iambic pentameter with feminine rhymes, based both on the Italian endecasillabo and German iambic pentameter. [159] The greatest Slovenian poet, France Prešeren , [ 160 ] wrote several sonnet sequences from 1831 onwards and is particularly known for his crown of sonnets , Sonetni venec ...
Amy Stackhouse of Iona University [7] explains that the form of the sonnet (written in iambic pentameter with an extra-unstressed syllable on each line) lends itself to the idea of a "gender-bending" model. The unstressed syllable is a feminine rhyme, yet the addition of the syllable to the traditional form may also represent a phallus. [8]
Like the Shakespearean sonnet, the Onegin stanza may be divided into three quatrains and a closing couplet (normally without stanza breaks or indentations), and it has a total of seven rhymes, rather than the four or five rhymes of the Petrarchan sonnet. Because the second quatrain (lines 5–8) consists of two independent couplets, the poet ...
An Introduction To Rhyme (ISBN 1-85725-124-5) is a book by Peter Dale which was published by Agenda/Bellew in 1998. The first chapter gives a detailed and comprehensive categorization of forty types of rhyme available in English .