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Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
Thespis (/ ˈ θ ɛ s p ɪ s /; Ancient Greek: Θέσπις; fl. 6th century BC) was an Ancient Greek poet. [1] He was born in the ancient city of Icarius (present-day Dionysos, Greece ). [ 2 ] According to certain Ancient Greek sources and especially Aristotle , he was the first human to appear on stage as an actor playing a character in a ...
The nearest equivalent to Lysistrata's divided Chorus is found in the earliest of the surviving plays, The Acharnians, where the Chorus very briefly divides into factions for and against the protagonist. [45] Parabasis: In Classical Greek comedy, parabasis is 'a speech in which the chorus comes forward and addresses the audience'.
The orchestra was a circular piece of ground at the bottom of the theatron where the chorus and actors performed; the word means "dancing space", as the chorus also danced in early periods. [15] Originally unraised, Greek theatre would later incorporate a raised stage for easier viewing.
Aristophanes (c. 446–388 BC), a leading source for Greek Old Comedy. The Acharnians (425 BC) The Knights (424 BC) The Clouds (423 BC) The Wasps (422 BC) Peace (421 BC) The Birds (414 BC) Lysistrata (411 BC) Thesmophoriazusae (c. 411 BC) The Frogs (405 BC) Assemblywomen (c. 392 BC) Plutus (388 BC) Pherecrates 420 BC; Diocles of Phlius ...
The performance area included a circular floor (called orchestra) where the chorus could dance, a space for actors (three speaking actors in Euripides' time), a backdrop or skene, and some special effects: an ekkyklema (used to bring the skene's "indoors" outdoors) and a mechane (used to lift actors in the air, as in deus ex machina).
The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish.
In Aristophanes' time, the Chorus in tragedy was relatively small (twelve members) and its role had been reduced to that of an awkwardly placed commentator, but in Old Comedy the Chorus was large (numbering 24), it was actively involved in the plot, its entry into the action was frequently spectacular, its movements were practised with military ...