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When a bell is struck, the energy imparted causes vibration of the bell in a complex manner and a series of tones known as partials or harmonics are generated. Skeleton "This atonal strike sound includes many inharmonic partials that die out quickly, giving way to a strike note or strike tone that is dominated by the prominent partials of the bell.
[10] [11] The sound of the bell is made up of three parts. First is the atari, the impact of the strike. A well-made bell should produce a clean, clear tone. The initial sound of the strike is immediately followed by the prolonged oshi, the reverberation that continues to sound after the bell is struck. This is higher in pitch and is a low ...
A bell is regarded as having a good tone when it is "in tune with itself". [24] In western bell founding, this is known as "harmonic tuning" of a bell, which results in the bell's strongest harmonics being in harmony with each other and the strike note. This produces the brightest and purest sound, which is the attractive sound of a good bell.
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A Parsifal bell (German: Glockenklavier, ' bell piano ') is a stringed musical instrument designed as a substitute for the church bells that are called for in the score of Richard Wagner's opera Parsifal. [1] The instrument was designed by Felix Mottl, a conductor of Wagner's works, and constructed by Schweisgut of Karlsruhe, Germany. [1]
Peal board in St Michael and All Angels' church, Penkridge, Staffordshire, recording the first peal on the new bells in 1832. In campanology (bell ringing), a peal is the special name given to a specific type of performance of change ringing which meets certain exacting conditions for duration, complexity and quality.