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Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).
Another variation of the major triad changes the order of the notes: For example, the C-major triad is often played as (C,G,E), where (C,G) is a perfect fifth and E is raised an octave above the perfect third (C,E). Alternative orderings of the notes in a triad are discussed below (in the discussions of chord inversions and drop-2 chords).
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Listing the initial six harmonics of the G note, this open-G tuning was used by Joni Mitchell for "Electricity", "For the Roses", and "Hunter (The Good Samaritan)". [9] It was also used by Mick Ralphs for "Hey Hey" on Bad Company's debut album. [5] and on the Meowtain song "Alleyway" Stone Gossard also used this tuning in the song "Daughter" by ...
The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. [33] [34] This overtone-series tuning was modified by Mick Ralphs, who used a high C note rather than the high G note for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in ...
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
By convention, the notes are ordered from lowest to highest. The standard tuning defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E.
The above shows D major in open "C" shape form and A major in open "G" shape form. In the example above, the "C" shape offers an alternative voicing to the open D major and to the "A" shaped D major in fifth position. Variations of the basic major and minor triad chords can also be formed using the barred chord as their foundation.