Ads
related to: electret microphone vs condenser recording studio speaker kit
Search results
Results From The WOW.Com Content Network
Electret microphones require no polarizing voltage unlike other condenser microphones, but normally contain an integrated preamplifier which requires a small amount of power (often incorrectly called polarizing power or bias). This preamp is frequently phantom powered in sound reinforcement and studio applications. Other types include a 1.5 V ...
[5] [6] The PL Series was introduced by EV in 1990 to attract the recording studio market, including a dark blue-gray version of the RE20 with the designation PL20; this model is discontinued. [7] In 2011, the black RE320 model was rolled out to address the popular usage on bass drum (kick drum), complete with a switch to tailor the frequency ...
First patent on foil electret microphone by G. M. Sessler et al. (pages 1 to 3) An electret microphone is a type of condenser microphone invented by Gerhard Sessler and Jim West at Bell laboratories in 1962. [24] The externally applied charge used for a conventional condenser microphone is replaced by a permanent charge in an electret material.
The following is a list of defunct microphone manufacturers with articles. Aiwa; Altec Lansing; American Microphone; Ampex; Astatic; Brush Development Company; Dynaco ...
Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie-clips, instrument mounts, and headset mounts. Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used ...
A talkback microphone in a recording studio. In sound recording, a talkback system is the intercom used in recording studios and production control rooms (PCRs) in television studios to enable personnel to communicate with people in the recording area or booth.