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John 4 is the fourth chapter of the Gospel of John in the New Testament of the Christian Bible. The eternality of Jesus. The major part of this chapter (verses 1-42) recalls Jesus' conversation with the Samaritan woman at the well in Sychar. In verses 43-54, he returns to Galilee, where he heals a royal official's son.
The Water of Tyne (sometimes rendered as The Waters of Tyne) is a folk song (Roud number 1364) from the north-east of England. The song is sung by a girl or woman lamenting the fact that her paramour is on the opposite bank of the River Tyne .
The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
The passages that comprise John 4:10–26 are sometimes referred to as the Water of Life Discourse. [4] These references in the Gospel of John are also interpreted as the Water of Life. [3] The term is also used when water is poured during Baptismal prayers, praying for the Holy Spirit, e.g., "Give it the power to become water of life". [5] [6]
The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a labor union song and a protest song of the Civil Rights Movement. [2] The text is based on biblical scripture:
The song was written for and recorded by one of John's long-time friends, Long John Baldry. It was later remastered for the 50th anniversary deluxe edition. Madman was John's first foray into progressive rock, and it did not sell well. [4] [5] His next album, Honky Château, shifted gears to glam rock, beginning a string of more successful ...
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman, found in the Gospel of John at 4:4-26. One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander".
Paul Robeson recorded the song several times. [10] Edric Connor in a British Pathé short film (1947); [11] this is also the version arranged by Avery Robinson. John Lee Hooker (1949): This version appears on The Country Blues of John Lee Hooker, The Unknown John Lee Hooker: 1949 Recordings, and Jack O' Diamonds: 1949 Recordings. [12]