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The 2.5 mm or sub-miniature sizes were similarly popularized on small portable electronics. They often appeared next to a 3.5 mm microphone jack for a remote control on-off switch on early portable tape recorders; the microphone provided with such machines had the on-off switch and used a two-pronged connector with both the 3.5 and 2.5 mm plugs.
Photo: 2.5 mm mono (TS), 3.5 mm mono and stereo (TRS), and 1 ⁄ 4 inch (6.4 mm) stereo (TRS) phone connectors The most common microphone connector in consumer use is the venerable phone connector, in 1 ⁄ 4 inch (6.4 mm), 3.5 mm, and 2.5 mm sizes, and in both mono and stereo configurations.
This includes the original 6.35mm (quarter inch) jack and the more recent and standard 3.5mm (miniature or 1/8 inch) and 2.5mm (subminiature) jacks, both mono and stereo (balanced) versions. [2] XLR connectors, also known as Cannon plugs, used for analog or digital balanced audio with a balanced line. Digital audio interfaces and interconnects:
The SMA connector is typically rated for mode-free operation from DC to 18 GHz, though some proprietary versions are rated to 26.5 GHz. [11] For performance above this, other SMA-like connectors are used. These include the 3.5 mm connector, rated to 34 GHz, and the 2.92 mm (also known as 2.9 mm, K type, or SMK), [12] good up to
A double DIN 1.6/5.6 bulkhead jack connector, crimp type, for 75 Ω coaxial cable A Type N connector (male), right-angled solder-type for semi-rigid coaxial cable with a diameter of 0.141-inch. 4.1-9.5 connector, standardized as DIN 47231 (in 1974) and IEC 60169-11 (in 1977) 4.3-10 connector, formerly known as DIN 4.3/10, now standardized as ...
The HD Audio 3.5 mm subminiature audio jack differed from connectors used in the AC'97 specification and in general audio equipment. The AC'97 used a regular 3.5 mm audio jack, which typically has 5 pins: one pin for ground, two pins for stereo signal, and two pins for the return signal.