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The Australian Women's Soccer Association (AWSA) was founded in 1974 [4] and a representative Australian team competed at the 1975 AFC Women's Championship. This team was officially recognised in May 2023, with all 16 members of the squad officially awarded caps. [5] Pat O’Connor captained this team, and her husband Joe was head coach.
An Australian representative side participated in the 1975 AFC Women's Championship. Initially, these games were not recognised as official Australian international fixtures. The participants were the NSW State Team that the organisers had labelled as Australia. [1] Further to this, matches were only 60 minutes in length. [2]
While still a student, Hall exhibited photographs as part of the Thoughts and Images: An Exploratory Exhibition of Australian Student Photography group exhibition at the Ewing and George Paton Galleries in 1974. [6] Hall graduated from ESTC in 1975, [3] [7] her graduate exhibition solely featuring photography in lieu of any painting.
Annette Kellermann was born in Marrickville, New South Wales, Australia, on 6 July 1886, [1] to Australian-born violinist Frederick William Kellermann, and his French wife, Alice Ellen Charbonnet, a pianist and music teacher. [1] At the age of six, a weakness in Kellermann's legs necessitated the wearing of steel braces to strengthen them.
Pages in category "1975 in Australian women's sport" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. 0–9.
1975 Exhibition: Art and the Creative Woman, Royal South Australian Society of Arts Gallery, Adelaide, SA, organised by the Royal South Australian Society of Arts (RSASA) with entries from fellows of the society and other women artists from across Australia. 1975 Exhibition: Australian Women Artists: 1840–1940, Ewing and George Paton Gallery ...
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Carol Joyce Jerrems (14 March 1949 – 21 February 1980) was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.