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The scapegoat was a goat that was designated (Hebrew: לַעֲזָאזֵֽל) la-'aza'zeyl; "for absolute removal" (for symbolic removal of the people's sins with the literal removal of the goat), and outcast in the desert as part of the Yom Kippur Temple service, that began during the Exodus with the original Tabernacle and continued through ...
The Scapegoat is a 1957 novel by Daphne du Maurier. In a bar in France, a lonely English academic on holiday meets his double, a French aristocrat who gets him drunk, swaps identities and disappears, leaving the Englishman to sort out the Frenchman's extensive financial and family problems.
The scapegoat ritual can be traced back to 24th century BC Ebla, from where it spread throughout the ancient Near East. [2] [3] In older English versions, such as the King James Version, the phrase la-azazel is translated as "as a scapegoat"; however, in most modern English Bible translations, it is represented as a name in the text:
Il Fornaretto di Venezia (US TV title: The Scapegoat, French title Le Petit Boulanger de Venise or, alternatively, Le Procès des Doges — as seen on the poster) [1] [2] is a 1963 Italian-French [3] drama film directed by Duccio Tessari who co-wrote the screenplay with Marcello Fondato, based on a novel by Francesco Dall'Ongaro.
The Scapegoat (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus. On the Day of Atonement , a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
The scapegoat theory of intergroup conflict provides an explanation for the correlation between times of relative economic despair and increases in prejudice and violence toward outgroups. [11] Studies of anti-black violence ( racist violence) in the southern United States between 1882 and 1930 show a correlation between poor economic ...
A scapegoat is a goat used in a religious ritual or the victim of scapegoating, the singling out of a party for unmerited blame.
The Scapegoat is a British film adaptation of Daphne du Maurier's 1957 novel of the same name. The drama is written and directed by Charles Sturridge and stars Matthew Rhys as lookalike characters John Standing and Johnny Spence.