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The 1 Up Fever (2013), mockumentary about Bitcoin and augmented reality video games.; 2gether (2000), spoof of boy bands like N*Sync and The Backstreet Boys.; 7 Days in Hell (2015), a fictional documentary-style exposé on the rivalry between two of the greatest tennis players of all time who battled it out in a 2001 match that lasted seven days.
The Daily Beast reported that the documentary "is a primer on the rise and fall of Hwang, a former superstar who currently plies his genetics trade in the United Arab Emirates, cloning camels for the rich and powerful, who covet them for both their attractiveness and their racing prowess." It also concluded that "King of Clones resounds as a ...
A pseudo-documentary or fake documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary ...
A mockumentary (a portmanteau of mock and documentary) is a type of film or television show depicting fictional events, but presented as a documentary. [1] The term originated in the 1960s but was popularized in the mid-1990s when This Is Spinal Tap director Rob Reiner used it in interviews to describe that film.
GBTimes writes that with having seen his own "film hundreds of times in different movie theaters, sometimes with ten people, other times with 500 people in the audience," [31] Till Nowak loves to watch audience reactions as they watch the film, and is bemused that "some people have perceived it as a real documentary of real amusement parks."
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We Live in Public was screened six times at the 2009 Sundance Film Festival before being awarded the Grand Jury Prize in the U.S. documentary category. [7] Timoner is the first director in the Sundance Film Festival's history to twice win the Grand Jury Prize for Documentary, having won in 2004 with Dig!.