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[6] [better source needed] According to another interpretation, when Michelangelo set out to create his Pietà, he wanted to create a work he described as "the heart's image". [ 7 ] Two drilled holes are located at the top head of the Virgin Mary, which once supported the bar holding two levitating angels, while another hole is located at the ...
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Original file (3,132 × 5,411 pixels, file size: 4.16 MB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
De Tolnay, Charles (1953). "Michelangelo's Pieta Composition for Vittoria Colonna". Record of the Art Museum, Princeton University 12 (2): 44–62. doi:10.2307/3774312 Dillon, Anne. 2012. Michelangelo and the English martyrs. Farnham, Surrey, England: Ashgate. pp. 159-161. Source/Photographer: Isabella Stewart Gardner Museum : Permission
An image consisting only of a dead Christ with angels is also called a Pietà, at least in German, where Engelpietà (literally "Angel Pietà") is the term for what is usually called Dead Christ supported by angels in English. [2] Pieta of Kampbornhofen, Germany
Yet the only image visibly testifying to Michelangelo’s interest in this new spirituality is a hyper-sensitive and startlingly realistic drawing of Christ on the cross (1538-41).
English: The Pieta is now in the first temple on the right of Saint Peter's Basilica in the Vatican City. Français : ce groupe était destiné au tombeau du Cardinal Jean de Bilhères, abbé de Saint-Denis.
The following other wikis use this file: Usage on af.wikipedia.org Galleria dell'Accademia in Florence; Usage on az.wikipedia.org Pyeta; Usage on eo.wikipedia.org