Ads
related to: godfather part 3 director's cut s cut differences
Search results
Results From The WOW.Com Content Network
The Godfather Part III is a 1990 American epic crime film produced and directed by Francis Ford Coppola from the screenplay co-written with Mario Puzo.The film stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton and Sofia Coppola.
The Godfather was released on March 15, 1972. The feature-length film was directed by Francis Ford Coppola and was based on Mario Puzo's novel of the same name.The plot begins with Don Vito Corleone declining an offer to join in the narcotics business with notorious drug lord Virgil Sollozzo, which leads to an assassination attempt.
In public use, a director's cut is the director's preferred version of a film (or video game, television episode, music video, commercial, etc.).It is generally considered a marketing term to represent the version of a film the director prefers, and is usually used as contrast to a theatrical release where the director did not have final cut privilege and did not agree with what was released.
Just when you thought the curtain had closed on the Corleone crime family, director Francis Ford Coppola is pulling moviegoers back in to his "Godfather" trilogy. Paramount Pictures announced ...
The third film in Francis Ford Coppola's crime-epic franchise, The Godfather: Part III, was panned by critics and holds a rating on Rotten Tomatoes that, while still considered "fresh" at 66% ...
For premium support please call: 800-290-4726 more ways to reach us
Director Writer Producer Notes 1963 Dementia 13: Yes Yes No 1966 You're a Big Boy Now: Yes Yes No 1968 Finian's Rainbow: Yes No No 1969 The Rain People: Yes Yes No 1972 The Godfather: Yes Yes No Co-writer with Mario Puzo: 1974 The Conversation: Yes Yes Yes The Godfather Part II: Yes Yes Yes Co-writer with Mario Puzo 1979 Apocalypse Now: Yes Yes Yes
The Godfather Part II had cut back and forth between scenes in the early 1900s and the late 1950s, and was therefore both a prequel and a sequel to The Godfather. [2] Malkin also toned down the violence, sex, and language for a television audience. [3]