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Beethoven's compositional choice of a rondo finale comes from the Classical sonata form. [4] The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4]
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
Sonata No. 1 for cello and piano Op.29 (1924). Sonata No. 2 for cello and piano Op.30 No.1 (1924) Sonata No. 3 for cello and piano Op.30 No.2 (1919–26) Mystère op. 37 Nr.2; 12 Preludes (Violoncelle bien tempéré)Op.38 (1925–26) Songs and dances op. 84 (1953) Mikis Theodorakis. East of the Aegean, Suite for cello and piano; Augusta Read Thomas
A photograph of the 1915 cover of the sheet music of the sonata for cello and piano; Performance of Cello Sonata by David Requiro (cello) and Elizabeth DeMio (piano) from the Isabella Stewart Gardner Museum in MP3 format "Paris: Debussy and Ravel – Professor Christopher Hogwood CBE (Discussion and performance of the Sonata)".
Piano Sonata No. 2; Piano Sonata No. 3; Benjamin Britten. Sonata for Cello and Piano, Op. 65; John Cage. Sonata for Unaccompanied Clarinet; Sonatas and Interludes for Prepared Piano (1946–48) Claude Debussy. Sonata No. 1, for cello and piano (1915) Sonata No. 2, for flute, viola and harp (1915) Sonata No. 3, for violin and piano (1916–1917 ...
The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published, by Simrock, in 1817 with a dedication to the Countess Marie von Erdődy, a close friend and confidante of Beethoven. [1]