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The best Cuban lyrical singer in the 20th century was the operatic tenor Francisco Fernandez Dominicis (Italian name: Francesco Dominici) (1885-1968). The best Cuban female lyrical singer in the 20th century was the mezzo-soprano Marta Perez (1924-2009). She sang at La Scala in Milan, Italy in 1955. [71]
Trova musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached every community in the country, and have helped to spread Cuban music throughout the world. [4]
Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. [2] In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation of many Cuban-based dance forms, and salsa. Its great strength is its fusion between European and African musical traditions.
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
The album contained fourteen tracks and was recorded in six days. It opened with "Chan Chan" written by Compay Segundo, a four-chord son (Dm, F, Gm, A7) that was to become what Cooder described as "the Buena Vista's calling card"; [6] and ending with a rendition of "La bayamesa", a traditional Cuban patriotic song (not to be confused with the Cuban national anthem of the same name). [7]
Silvio took an interest in classical music during this time. [7] In January 1961, the United States broke diplomatic relations with Cuba following the election of president John F. Kennedy, who authorized the Central Intelligence Agency (CIA) to invade the country. On April 15, bombings began in Havana, Santiago de Cuba, and San Antonio de los ...
Punto guajiro or punto cubano – or simply punto – is a sung genre of Cuban music, a poetic art with music. It became popular in the western and central regions of Cuba in the 17th century, [1] and consolidated as a genre in the 18th century. [2] It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. [3] [4]