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The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the ...
Lao music today comes in a wide variety of styles and from different national origins. Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a
This still affects today's chanson as many French musicians still employ harp and keyboard. During the 18th century, vocal music in France was dominated by opera , but solo song underwent a renaissance in the 19th century, first with salon melodies and then by mid-century with highly sophisticated works influenced by the German Lieder , which ...
A khene player in Isan. The khaen (/ ˈ k ɛ n /; spelled "Khaen", "Kaen", "Kehn" [1] or "Ken" in English; [2] Lao: ແຄນ, pronounced; Thai: แคน, RTGS: khaen, pronounced; Northeastern Thai: แคน, pronounced [kʰɛ᷇ːn]; Khmer: គែន – Ken; Vietnamese: khèn or kheng) is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed ...
A khene player and Lao dancers at a morlam performance in France. Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]).
Music of Laos; L. Lao pop; Lam luang; Lam ploen; Lam saravane; Lao music; M. Mor lam; P. Pheng Xat Lao; Pinphat This page was last edited on 22 April 2024, at 10:08 ...
The air de cour was a popular type of secular vocal music in France in the late Renaissance and early Baroque period, from about 1570 until around 1650. From approximately 1610 to 1635, during the reign of Louis XIII, this was the predominant form of secular vocal composition in France, especially in the royal court.