Search results
Results From The WOW.Com Content Network
She just wanted an angel to come to take her away from all this." Prine believes he likely was drawn to Montgomery as the song's setting by virtue of being a fan of Hank Williams, who had ties to that city. [2] Angel from Montgomery was the original title of the Cherie Bennett/Jeff Gottesfeld screenplay that became the 2006 movie Broken Bridges ...
Agnus Dei (1981) Polish Requiem (1980–84, revised and expanded 1993, expanded 2005 after Pope John Paul II's death) Song of the Cherubim (1986) Veni creator (1987) Benedicamus Domino (1992) Benedictus (1993) Agnus Dei (1995, for the Requiem of Reconciliation) De Profundis (1996) Hymne an den heiligen Daniel (1997) Hymne an den heiligen ...
Agnus Dei (Lamb of God) is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei, a part of the Mass, for mixed chorus with optional organ or piano accompaniment. The music, in B-flat minor, has a duration of about eight minutes.
For soli, four-part chorus, and organ or piano. Added Laudate Dominum (1878) For soli, two-part chorus, and organ or piano (1887) The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or chorus in unison with organ or piano accompaniment (1886) With the organ replacing the wind instruments. To be played with a string quartet.
The text of "Dona nobis pacem" is a short prayer for peace from the Agnus Dei of the Latin mass. [1] [2] [3] In the round for three parts, it is sung twice in every line. [4] The melody has been passed orally. [4] It has traditionally been attributed to Mozart but without evidence. [1] English-language hymnals usually mark it "Traditional". [5]
Martin Luther wrote the words of the hymn as a translation of the Latin Agnus Dei from the liturgy of the mass. The tune, Zahn 58, [ 1 ] was taken from an older liturgy. The hymn was first published in 1528 and has been the basis for several musical settings by composers such as Bach , Mendelssohn and Hessenberg .
Agnus Dei, whose Latin text comes from the last movement of the same name in the Catholic Mass. The soprano introduces the theme, singing it over the orchestra and choir. The text translates as "Lamb of God, grant us peace." Beat! Beat! Drums!, is based on the first Whitman poem. The text describes the drums and bugles of war bursting through ...
In the Four-Part Mass it consists of a four-note figure D-G-Bb-A (Kyrie) changing to D-A-C-Bb in the other movements. In the Sanctus the B flat strikingly changes to a B natural, producing an unexpected major chord at a key point in the music. A special feature of the mass (as also of the Five-Part Mass) is the final clause of the Agnus Dei.