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Motown M-1004 United States January 1961 "I've Got a Notion" "We Really Love Each Other" Henry Lumpkin: Motown M-1005 United States "Don't Feel Sorry for Me" "Heart" Jimmy Ruffin: Miracle MIR-1 United States February 1961 "Don't Let Him Shop Around" " A New Girl" Debbie Dean: Motown M-1007 United States "Ain't It Baby" " The Only One I Love ...
16 Original Big Hits, Volume 3: Various Artists MT-624 Meet the Temptations: The Temptations: GS-911 Gordy I Like It Like That: The Miracles: T-249 When I'm Alone I Cry: Marvin Gaye: TM-251 Tamla Marvin Gaye's Greatest Hits: Marvin Gaye: TM-252 Stevie at the Beach: Stevie Wonder: TM-255 A Collection of 16 Big Hits, Volume 2: Various Artists TM ...
The discography for American rhythm and blues record label Motown, as well as its subsidiaries and imprints, is divided into: Motown albums discography;
Motown AZ: 21st century Motown B.G.O.T.I. 1980s/1990s BGOTI Babyface: 21st century Motown Erykah Badu: 1980s/1990s Motown Bankroll Freddie: 21st century Motown J. J. Barnes: 1960s Ric-Tic Records Drake Bell: 21st century Motown Yummy Bingham: 21st century Motown Will Biondo: 21st century Motown Black Coffey 21st century Motown Blinky: 1960s ...
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.
The Motown Museum's new "Motown Mile" exhibit on the Detroit RiverWalk links classic songs with modern music, like this panel with the Supremes' "Someday We'll Be Together" and Janet Jackson's "If."
After recording an unsuccessful debut album, Dream/Answers, on the Verve label in 1968, the group was signed to Motown in 1969. [7] The band was one of the first acts signed to a new Motown imprint that would be dedicated to white rock acts; [ 6 ] many of the subsidiary's newly signed acts played blues -oriented and progressive rock styles ...
By the time of the single's release in early 1968, Holland-Dozier-Holland had staged a work slowdown and eventually no longer came to Motown's Hitsville U.S.A. studio. Motown sued for breach of contract in August 1968; HDH countersued. [1] The trio went on to eventually start their own labels, Invictus Records and Hot Wax Records.