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St. Cecilia Mass is the common name of a solemn mass in G major by Charles Gounod, composed in 1855 and scored for three soloists, mixed choir, orchestra and organ. The official name is Messe solennelle en l’honneur de Sainte-Cécile, in homage of St. Cecilia, the patron saint of music. The work was assigned CG 56 in the catalogue of the ...
In addition to the mass, still in 1720, Scarlatti composed almost as long (40 min.) vespers, discovered more recently, both scores being intended for the Santa Cecilia in Trastevere church. In 1708, he had composed Il Martirio di Santa Cecilia, inspired by the same figure, Santa Cecilia in Trastevere, patron saint of musicians.
The mass, named after Saint Cecilia, the patron saint of music, was first performed at the Catholic Court Chapel on 22 November that year, and repeated there on 12 January 1712, this time in the presence of the Saxon Elector and Polish King, August II. [2] [3] Zelenka revised it several times, and used some parts for other purposes. [2]
Her feast day became an occasion for musical concerts and festivals that occasioned well-known poems by John Dryden and Alexander Pope [16] and music by Henry Purcell (Ode to St. Cecilia); 3 different oratorios by Marc-Antoine Charpentier, Caecilia virgo et martyr octo vocibus H.397, for soloists, double Chorus, double string orchestra and bc ...
Until that discovery, the work was known as Missa Sanctae Caeciliae, or in German Cäcilienmesse, a title probably attributed to the mass in the 19th century. Whether the alternative title refers to a performance of the piece by the St. Cecilia's Congregation , a Viennese musician's fraternity, on some St. Cecilia's day (22 November), as has ...
St. Cecilia Mass (Messe solennelle à Sainte-Cécile), an 1855 composition by Charles Gounod; St. Cecilia: The Elektra Recordings, an album by Blue Öyster Cult, recorded 1970, released 2003; Saint Cecilia, by Foo Fighters, 2015 "Saint Cecilia" (song), the title song
XXII:8, fully Missa cellensis fatta per il Signor Liebe de Kreutzner (Zell Mass made for Sir Liebe of Kreutzner) composed in 1782, is Joseph Haydn's eighth setting of the Ordinary of the Mass. The title translates (lit. ' Mass for Zell ', where "Zell" stands for Mariazell) [1] and is often identified by the German name Mariazeller Messe. It was ...
No. 13 in B-flat major: 'Schöpfungsmesse' ('Creation Mass') (H. 22/13) (1801) No. 14 in B-flat major: 'Harmoniemesse' ('Wind-band Mass') (H. 22/14) (1802). The Harmoniemesse 1802 was Haydn's last major work. He shortly afterward sank into debilitating illness and was unable to compose further.