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Symbolic pictures were sometimes added to indicate the origin of the LSD. Designs printed on blotter paper can serve to identify dosage strengths, different batches, or makers. [6] As designs became more creative, blotter art became a folk and underground art form, drawing on an art vocabulary borrowed from psychedelic art and underground comix.
English: A bowl of brown and white lump sugar at The Chequers on the village green at Matching Green, Essex, England. Camera: Canon PowerShot SX60 HS Software: File lens-corrected, optimized, perhaps cropped, with DxO OpticsPro 11 Elite, and likely further optimized with Adobe Photoshop CS2.
Recorded in real time, Oil and Sugar #2 is displayed as a video showing, on repeat, the destruction of a block of sugar cubes drenched in oil. [6] The piece is said by the Boston Institute of Contemporary Art to imbue “beauty through collapse… through means both direct and resonant.” [7] Through the medium of video, Kader Attia multiplies and eternalizes a direct and singular moment of ...
When making the cubes, the granulated sugar is slightly (2–3%) moistened, placed into a mold and heated so that the moisture can escape. The firmness, density, and speed of dissolution of the cube are controlled via the crystal size of the granulated sugar, amount of water/steam added, molding pressure, and speed of drying. [3]
Sugar painting (糖画) is a form of traditional Chinese folk art using hot, liquid sugar to create two dimensional objects on a marble or metal surface. Melted sugar is carried by a small ladle made by bronze or copper. After it cools, it will be stuck to a bamboo stick and removed using a spatula. Three dimensional objects can be created by ...
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Sugar showpieces can be composed of several different types of sugar elements. All begin with cooking sugar, and possibly an acidic agent and/or non-sucrose sugar product to avoid unwanted crystallization, to the hard crack stage, around 300 °F (149 °C). When all components are completed, they are welded together using a gas torch.
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