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In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Background (German: Hintergrund)The structural level of the fundamental structure.See also Middelground and Foreground.. Bass arpeggiation (German: Bassbrechung). Bass pattern I-V-I forming the harmonic content of the background of tonal musical pieces; the concept belongs to the final version of Schenkerian theory, from 1930 onwards.
Foreground-background, a scheduling algorithm that is used to control execution of multiple processes on a single processor; Foreground-background segmentation, a method for studying change blindness using photographs with distinct foreground and background scenery; Foreground detection, a concept in computer vision to detect changes in image ...
Foreground-background is a scheduling algorithm that is used to control an execution of multiple processes on a single processor. It is based on two waiting lists, the first one is called foreground because this is the one in which all processes initially enter, and the second one is called background because all processes, after using all of their execution time in foreground, are moved to ...
Space – area that an artist provides for a particular purpose. Space includes the background, foreground and middle ground, and refers to the distances or area(s) around, between, and within things. Texture – the way a three-dimensional work actually feels when touched, or the visual "feel" of a two-dimensional work
Background knowledge/IP is knowledge/IP that is relevant to a collaborative venture or open innovation project that is supplied by the partners at the start of the project. Foreground knowledge/IP is all the knowledge/IP produced within the collaborative venture or open innovation project during the project’s tenure.
The work of Heinrich Schenker and his ideas about "foreground", "middleground", and "background" became enormously influential in the teaching of composition and interpretation. Schenker believed that inevitability was the key hallmark of a successful composer, and that, therefore, works in sonata form should demonstrate an inevitable logic.
For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especially when the subject is in sharp focus while the background is noticeably out-of-focus—the technique is known as bokeh. [2]