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The Art of Being Right: 38 Ways to Win an Argument (also The Art of Controversy, or Eristic Dialectic: The Art of Winning an Argument; German: Eristische Dialektik: Die Kunst, Recht zu behalten; 1831) is an acidulous, sarcastic treatise written by the German philosopher Arthur Schopenhauer. [1]
In the English language, this work is known under three different titles. Although English publications about Schopenhauer played a role in the recognition of his fame as a philosopher in later life (1851 until his death in 1860) [4] and a three volume translation by R. B. Haldane and J. Kemp, titled The World as Will and Idea, appeared already in 1883–1886, [5] the first English translation ...
Arthur Schopenhauer (/ ˈ ʃ oʊ p ən h aʊər / SHOH-pən-how-ər; [9] German: [ˈaʁtuːɐ̯ ˈʃoːpn̩haʊɐ] ⓘ; 22 February 1788 – 21 September 1860) was a German philosopher. He is known for his 1818 work The World as Will and Representation (expanded in 1844), which characterizes the phenomenal world as the manifestation of a blind ...
Arthur Schopenhauer considered the world to be the product of an irrational and insatiable metaphysical force which he called Will. The first presentation of philosophical pessimism in a systematic manner, with an entire structure of metaphysics underlying it, was introduced by German philosopher Arthur Schopenhauer in the 19th century.
On Vision and Colors (originally translated as On Vision and Colours; German: Ueber das Sehn und die Farben) is a treatise [1] by Arthur Schopenhauer that was published in May 1816 when the author was 28 years old.
Schopenhauer's aesthetics remain influential today, and are perhaps the most lasting part of his philosophy. [10] Their appeal to later generations of Romantics, and to all schools of bohemianism, is demonstrated. Wagner sent Schopenhauer a note expressing deep gratitude for Schopenhauer's discussion of music.
Schopenhauer published the first description of the porcupines' dilemma in 1851. [2] The concept originates in the following parable from the German philosopher Schopenhauer: [2] [3] One cold winter's day, a number of porcupines huddled together quite closely in order through their mutual warmth to prevent themselves from being frozen.
The claim that we live in the best of all possible worlds drew scorn most notably from Voltaire, who lampooned it in his comic novella Candide by having the character Dr. Pangloss (a parody of Leibniz and Maupertuis) repeat it like a mantra when great catastrophes keep happening to him and the titular protagonist.