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PLEX was developed by Göran Hemdahl at Ericsson in the 1970s, [1] and it has been continuously evolving since then. [2] PLEX was described in 2008 as "a cross between Fortran and a macro assembler." [3] The language has two variants: Plex-C used for the AXE Central Processor (CP) and Plex-M used for Extension Module Regional Processors (EMRP). [4]
Algorithmic composition is the technique of using algorithms to create music.. Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy.
For example, if a descending fifths sequence in C major starts with the note C, the next note will be F, a perfect fifth below the first note. The next few notes will be B, E, A, D and so on, following a pattern of descending fifths. [7] A descending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff. Play ⓘ
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
This page contains naming conventions for music-related articles, covering both classical musical works and popular bands, albums and songs. The first step for disambiguating classical compositions is rather a reference to their composer, while popular music is rather disambiguated by a type qualifier.
IV-V-I progression in C Play ⓘ. A three-chord song is a song whose music is built around three chords that are played in a certain sequence.A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll.
A recording by the Ames Brothers with Hugo Winterhalter's orchestra and chorus was made at Manhattan Center, New York City on May 16, 1953. It was released by RCA Victor as catalog number 20-5325A (in US) [2] and by EMI on the His Master's Voice label as catalog number B 105431.
[1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B-side to " Copenhagen " but eclipsed "Copenhagen" as a hit. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14 ...