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The tongue can contact the upper side of the mouth with the very tip of the tongue (an apical articulation, e.g. [ʃ̺]); with the surface just behind the tip, called the blade of the tongue (a laminal articulation, e.g. [ʃ̻]); or with the underside of the tip (a subapical articulation).
"Sister Suzy‘s sewing socks for soldiers" is a particular form of alliteration called sibilance, repeating an s sound. Both are commonly used in poetry. "She would run up the stairs and then a new set of curtains" is a variety of zeugma called a syllepsis. Run up can refer either to a quick ascent or
Excess sibilance can be caused by compression, microphone choice and technique, and even simply the way a person's mouth anatomy is shaped. Ess sound frequencies can be irritating to the ear, especially with earbuds or headphones, and interfere with an otherwise modulated and pleasant audio stream.
Certain borrowings suggest that it was not far off from the sh-sound [ʃ], e.g. Aramaic Jeshua > Greek Ἰησοῦς (Iēsoûs) > Latin Jesus, Hebrew Shabbat > Latin sabbatum; but this could also be explained by the lack of a better sound in Latin to represent Semitic š.
Another special case of consonance is sibilance, the use of several sibilant sounds such as /s/ and /ʃ/. An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple curtain." (This example also contains assonance around the "ur" sound.)
Sibilance is used most successfully in stanzas one and five. The writer uses sibilance to imitate the sound and atmosphere she describes. In stanza one, she is imitating the "silent sign," and in stanza five she is trying to create a serene atmosphere that is "soft" and "sweetly spoke" by using the soft "s" sound repeatedly.
A suggestive question is one that implies that a certain answer should be given in response, [1] [2] or falsely presents a presupposition in the question as accepted fact. [3] [4] Such a question distorts the memory thereby tricking the person into answering in a specific way that might or might not be true or consistent with their actual feelings, and can be deliberate or unintentional.
A fricative is a consonant produced by forcing air through a narrow channel made by placing two articulators close together. [1] These may be the lower lip against the upper teeth, in the case of [f]; the back of the tongue against the soft palate in the case of German [x] (the final consonant of Bach); or the side of the tongue against the molars, in the case of Welsh [ɬ] (appearing twice in ...