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Daniel 7 (the seventh chapter of the Book of Daniel) tells of Daniel's vision of four world-kingdoms replaced by the kingdom of the saints or "holy ones" of the Most High, which will endure for ever. Four beasts come out of the sea, the Ancient of Days sits in judgment over them, and "one like a son of man" is given eternal kingship. An angelic ...
Chapter 2: Nebuchadnezzar's Dream; Chapter 3: The Fiery Furnace; Chapter 4: Nebuchadnezzar's Madness; Chapter 5: Belshazzar's Feast; Chapter 6: Daniel in the Lions's Den; Chapter 7: The Four Beasts; Chapter 8: The Ram, He-Goat and Horn; Chapter 9: The Seventy Weeks; Chapters 10–12: Daniel's final vision; Additions to Daniel: - Song of the ...
The second chapter of the Book of Daniel tells how Daniel interpreted a dream of Nebuchadnezzar, king of Babylon. The king saw a gigantic statue made of four metals, from its gold head to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In Daniel 8, in keeping with the theme by which kings and kingdoms are symbolised by "horns", Daniel sees a goat with a single ...
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
A. (chapter 2) – A dream of four kingdoms replaced by a fifth B. (chapter 3) – Daniel's three friends in the fiery furnace C. (chapter 4) – Daniel interprets a dream for Nebuchadnezzar; C'. (chapter 5) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (chapter 6) – Daniel in the lions' den; A'.
4/5 Luca Guadagnino follows up his triumphant tennis drama ‘Challengers’ with another tale of seduction and desire
Daniel is episodic rather than linear: it has no plot as such. It does, however, have a structure. Chapters 2–7 form a chiasm, a literary figure in which elements mirror each other: chapter 2 is the counterpart of chapter 7, chapter 3 of chapter 6, and chapter 4 of chapter 5, with the second member of each pair advancing the first in some way.