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Following the principle of construction in Iran, Ahvaz, the rebab is a large instrument with a range similar to the viola da gamba, whereas versions of the instrument further west tend to be smaller and higher-pitched. The body varies from being ornately carved, as in Java, to simpler models such as the 2-string Egyptian "fiddle of the Nile."
Arabic musical instruments can be broadly classified into three categories: string instruments (chordophones), wind instruments , and percussion instruments. They evolved from ancient civilizations in the region.
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. [2] The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards.
Ancient kings playing an organistrum at the Pórtico de la Gloria in the Catedral de Santiago de Compostela in Santiago de Compostela, Spain. The hurdy-gurdy is generally thought to have originated from fiddles in either Europe or the Middle East (e.g., the rebab instrument) before the eleventh century A.D. [2] The first recorded reference to fiddles in Europe was in the 9th century by the ...
Seven-string guitar; Tailed bridge guitar; Tenor guitar; Ten-string guitar; Twelve-string guitar; Guitaro; Guitarrón argentino (Argentina) Guitarrón mexicano (Mexico) Guitarrón chileno (Chile) Guqin (China) Gusli (Russia) Guzheng (China) Harp. Chromatic harp; Electric harp; Folk harp; Pedal Harp (a.k.a. concert harp) Triple harp; Harpsichord ...
Unlike much western music, Arabic music includes quarter tones halfway between notes, often through the use of stringed instruments (like the oud) or the human voice. Further distinguishing characteristics of Middle Eastern and North African music include very complex rhythmic structures, generally tense vocal tone, and a monophonic texture.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).