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Arabic musical instruments can be broadly classified into three categories: string instruments (chordophones), wind instruments , and percussion instruments. They evolved from ancient civilizations in the region.
Rebab (Arabic: ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. [1]
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel. They still make approximately 3000 cümbüşes a year (as of 2002). They also manufacture about 5000 darbukas per year (middle-eastern drums), and sell guitars as well. They ...
The left hand is almost always in the default position, it rarely changes position. As usual for oriental stringed instruments, the string held in the hand with the palm turned outward plays on the higher string, occasionally touching the lower one. Nowadays, the instrument is used only by the older generation. [2]
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
Percussion instruments play a very important role in Middle Eastern music. The complex rhythms of this music are often played on many simple percussion instruments.The riq الرق (a type of tambourine) and finger cymbals add a higher rhythmic line to rhythm laid down with sticks, clappers, and other drums.
Ancient kings playing an organistrum at the Pórtico de la Gloria in the Catedral de Santiago de Compostela in Santiago de Compostela, Spain. The hurdy-gurdy is generally thought to have originated from fiddles in either Europe or the Middle East (e.g., the rebab instrument) before the eleventh century A.D. [2] The first recorded reference to fiddles in Europe was in the 9th century by the ...