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Catalogue d'oiseaux ("Catalogue of birds") is a work for piano solo by Olivier Messiaen consisting of thirteen pieces, written between October 1956 and September 1958. It is devoted to birds and dedicated to his second wife Yvonne Loriod .
During the same period that Ornstein was introducing tone clusters to the concert stage, Ives was developing a piece with what would become the most famous set of clusters: in the second movement, "Hawthorne", of the Concord Sonata (c. 1904–1915, publ. 1920, prem. 1928, rev. 1947), mammoth piano chords require a wooden bar almost fifteen ...
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
Goldsworthy was nine years old when she met Eleonora Sivan, a charismatic Russian émigré and world-class pianist who became her piano teacher. Piano Lessons documents what Sivan brought to Goldsworthy's lessons: a love of music, a respect for life, a generous spirit and the courage to embrace a musical life. [1] [2] [3]
Freeing the Caged Bird received positive reviews from critics around the world, including Keyboard Magazine, Piano and Keyboard, European Piano Teachers Association Piano Journal, American Music Teacher, Society for the Teachers of Alexander Technique, Clavier, Notes, and Reginald Gerig (author of Famous Pianists and Their Technique).
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