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The modern word guitar and its antecedents have been applied to a wide variety of chordophones since classical times, sometimes causing confusion. The English word guitar, the German Gitarre, and the French guitare were all adopted from the Spanish guitarra, which comes from the Andalusian Arabic قيثارة (qīthārah) [6] and the Latin cithara, which in turn came from the Ancient Greek ...
Also in 1983, Dave Smith's company marketed the first polyphonic synthesizer keyboard that could play more than one sound at a time called the 'Six-Trak'. [22] It had a six track sequencer and each track could access a different sound. The same year the SCI Pooppit T8 with optical key sensing became the first piano action emulating MIDI keyboard.
Piano Grand piano Upright piano Keyboard instrument Hornbostel–Sachs classification 314.122-4-8 (Simple chordophone with keyboard sounded by hammers) Inventor(s) Bartolomeo Cristofori Developed Early 18th century Playing range The Well-Tempered Clavier, first prelude of Book I Played by Kimiko Douglass-Ishizaka Problems playing this file? See media help. A piano is a keyboard instrument that ...
These two notes are known as achala swar ('fixed notes'). Each of the other five notes, Re, Ga, Ma, Dha and Ni, can take a 'regular' (shuddha) pitch, which is equivalent to its pitch in a standard major scale (thus, shuddha Re, the second degree of the scale, is a whole-step higher than Sa), or an altered pitch, either a half-step above or half ...
The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ invented in the third century BC. [2] The keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian (late 4th century), who says magna levi detrudens murmura tactu . . . intonet, that is "let him thunder forth as he presses out mighty ...
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
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The following guajeo (or piano tumbao), created by Iván "Melón" Lewis is from "No me mires a los ojos" (Issac Delgado 1995). It is a prime example of one of the most critical timba piano innovations—the idea that the piano tumbao be a “hook” by which the song can be identified and that contributes greatly to the song's popularity.