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"All That Jazz" is a song from the 1975 musical Chicago.It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical.The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.
"Greetings. Chicago's Official Song. 1833–Chicago–1933" – composer & lyricist: George D. Gaw; transcriber & arranger: Frank Barden "Growing Up" – Fall Out Boy, from Fall Out Boy's Evening Out with Your Girlfriend, 2003 "Guren no Yumiya" - NateWantsToBattle "A Guided Tour of Chicago" – The Lawrence Arms, 1999
Chicago: Music from the Miramax Motion Picture is a soundtrack album featuring all of the original songs of the 2002 Best Picture Academy Award-winning musical film Chicago starring Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Mýa Harrison and Christine Baranski.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of ...
Anastacia shot the video even though she was ill, having a 40 °C (104 °F) fever. The video has two main sequences: in the first, Anastacia is singing in a prison cell; in the second singer and dancers, all dressed as gangsters, dance in front of a large screen. Scenes from the movie Chicago are also shown in the music video.
The song has been covered, or otherwise used, in several shows or videos: In the Glamorous episode "Are You On The List?", the song was lip-synced by 6 drags including Marco Mejia (portrayed by Miss Benny). In the Glee episode "Choke", the song was covered by main characters Santana, Brittany, Mercedes, Sugar, and Tina.
Chicago is an American rock band formed in 1967 in Chicago, Illinois.The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads.
The version of "Love Me Tomorrow" featured on the original Chicago 16 album (also on early Greatest Hits albums featuring the tune) has a length of 5:06. However, on the 2002 remastered edition of Chicago 16, two measures of music are excised from the string-heavy opening sequence for the song's instrumental bridge (essentially, the repetition of the first two measures of the sequence is ...