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Baker in her banana costume, 1927. Baker sailed to Paris in 1925 and opened on October 2 in "la Revue nègre " at Théâtre des Champs-Élysées. [32] [33] She was 19 at the time. In a 1974 interview with The Guardian, she explained that her first big break came in this bustling European city: "No, I didn't get my first break on Broadway.
Revues featured extravagant costumes, sets and effects, and often nude women. In 1926, Josephine Baker, an African-American expatriate singer, dancer and entertainer, caused a sensation at the Folies Bergère by dancing in a costume consisting of a skirt made of a string of artificial bananas and little else.
Josephine Baker in the banana skirt, 1927. La Négresse may be inspired by Josephine Baker, a black American dancer whose popularity reached its height in Paris during the 1920s and 1930s. [4] [6] One of Baker's famous outfits was a skirt made from bananas, which Matisse may be invoking in the orange-yellow forms around the figure's waist.
In 1922, skirts were shortened and could now reach the mid-shin rather than just the ankle. [12] The banana skirt worn by the dancer Josephine Baker for her mid-1920s performances in the Folies Bergère was subsequently likened to a miniskirt. [13] [14] Prior to being censored in 1934, cartoon character Betty Boop also wore a short skirt. [15]
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Josephine Baker performing her famous banana skirt dance. The Long Count Fight between Jack Dempsey and Gene Tunney (1927). Charles Lindbergh landing in Paris and being greeted by a massive crowd after flying non-stop over the Atlantic Ocean (1927). Alfred Hitchcock in one of his earliest film cameos, in the film Blackmail.