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This is the first woodcut produced by Baldung after leaving the studio of his mentor, Albrecht Dürer, and one of the first Renaissance images to depict both witches that fly and a Witches' Sabbath. Surrounded by human bones and animal familiars, a group of witches engage in naked revelry as they soar through the air and prepare food for the ...
Hans Baldung (1484 or 1485 – September 1545), called Hans Baldung Grien, [a] (being an early nickname, because of his predilection for the colour green), was a painter, printer, engraver, draftsman, and stained glass artist, who was considered the most gifted student of Albrecht Dürer and whose art belongs to both German Renaissance and Mannerism.
The Freiburg Altarpiece is an oil on wood panel altarpiece, created for the high altar of Frieburg Minster by the German Renaissance painter and printmaker, Hans Baldung Grien. [1] [2] The altarpiece is a polyptych with eleven panels created by Baldung and members of his studio. Baldung lived in Freiburg from 1512 to 1517 as he worked on the ...
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Hans Baldung, New Year’s Greeting with Three Witches, 1514. Pen and white ink, heightened with white, on brown prepared paper. 12 × 8 ¼ inches, Vienna, Albertina Museum Items portrayed in this file
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.
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The women are positioned in a small interior space which contains a window and can be entered or exited from two sides. The small devil in the left hand recess, who is intended to represent evil, as mammalian anatomy including hind legs, and holds a vaguely described object in his claw that appears to consist of sticks and a piece of string, [10] perhaps comprising a contemporary device for ...