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The story of the bald man and the fly is found in the earliest collection of Aesop's Fables and is numbered 525 in the Perry Index. [1] Although it deals with the theme of just punishment, some later interpreters have used it as a counsel of restraint.
The Roman naturalist Pliny the Elder is the earliest to attest that the story reflects the behaviour of real-life corvids. [13] In August 2009, a study published in Current Biology revealed that rooks, a relative of crows, do just the same as the crow in the fable when presented with a similar situation. [14]
The story was likely intended as a literature primer for young readers, but departed from highly moralistic, often religious stories written for the same purpose. Adaptations throughout the 1880s incorporated appealing illustrations in order to hold the reader's attention as interest became more relevant to reading lessons.
The story of the evil King Kachadruma I.1 The naughty monkey and the wedge I.1 I.2 84A I.1 II.2 The jackal and the war drum I.2 I.4 84B I.2 The wise minister I.3 The adventures of an ascetic I.3a I.4a The saint, his own pouch and the rogue I.3a I.5 I.4a The wolf and the rams I.3b I.5.1 I.4b The unfaithful wife Tantuvayika I.5.2
The lion agrees and sets the mouse free. Later, the lion is netted by hunters. Hearing it roaring, the mouse remembers its clemency and frees it by gnawing through the ropes. The moral of the story is that mercy brings its reward and that there is no being so small that it cannot help a greater.
In the gardens of the emperor of China lived a nightingale whose song was more beautiful than the palace itself and was storied all over the world. When the emperor received a book from the emperor of Japan he was astonished to read about the nightingale, because he had never heard of it, nor had anyone in his court.
In Hecatomgraphie (1540), the first of these, the story is told in a quatrain, accompanied by a woodcut in which a man holds close a fur cloak under the wintry blast while on the other side he strips naked beneath the sun's rays. It is titled with the moral "More by gentleness than strength" (Plus par doulceur que par force). [4]
The story appears in Indian textbooks, and its adaptions also appear in moral education books such as The Joy of Living. [5] The story has been adapted into several plays and other performances. Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6]