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A hip hop montage is a subset of fast cutting used in film to portray a complex action through a rapid series of simple actions in fast motion, accompanied by sound effects. The technique was first given its name by Darren Aronofsky , who used the technique in his films Pi and Requiem for a Dream to portray drug use.
The dynamic cutting is an approach to film editing in which the cutting from one shot to the next is made abruptly apparent to the viewer. In matched cutting or invisible editing, the cuts are not as obvious to the viewer because these approaches adhere to continuity procedures designed to hide the edit -for instance, cutting on action. Dynamic ...
Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other special effects. [2] Linear video editing uses video tape and is edited sequentially. Several video clips from different tapes are recorded to one single tape in the order that they will appear.
Slow cutting is a film editing technique characterized by frequent lengthy shots.Though it depends on context, it is estimated that any shot longer than about fifteen seconds will seem rather slow to many modern-day viewers, especially those who are accustomed to mainstream Western movies, where slow cuts are uncommon.
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. [1] It is synonymous with the term edit, though "edit" can imply any number of transitions or effects.
For example, if after viewing a grown man in the story present, a cut to a young boy being addressed by the man's name occurs, the viewer can assume that the young boy scene depicts time previous to the story present. The young boy scene would be a flashback. The montage technique is one that implies no real temporal continuity whatsoever.
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