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Native American Rugs, Blankets, and Quilts; American Indian Featherwork; The Center for Traditional Textiles of Cusco “The Mechanics of the Art World,” Vistas: Visual Culture in Spanish America, 1520-1820. "PreColumbian Textile Conference Proceedings VII" (2016) "PreColumbian Textiles in the Ethnological Museum in Berlin" (2017)
In 1895 it was enlarged and converted into a textile mill that, by the following year, had begun making Native American trade blankets—geometric patterned robes (unfringed blankets) for Native American men and shawls (fringed blankets) for Native American women in the area—the Umatilla, Cayuse, Nez Perce and Walla Walla tribes. That ...
Quillwork was used to create and decorate a variety of Native American items, including those of daily usage to Native American men and women. These include clothing such as coats and moccasins, accessories such as bags and belts, and furniture attachments such as a cradle cover. [14]
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
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Thomas Day (c. 1801–1861) was an American furniture craftsman and cabinetmaker in Milton, Caswell County, North Carolina. [1] Born into a free African-American family in Dinwiddie County , Virginia, Day moved to Milton in 1817 and became a highly successful businessman, boasting the largest and most productive workshop in the state during the ...