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Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .
The success of the Spanish version of the song prompted its translation in the United States, where lyricists Albert Gamse and Jack Sherr published "Yours". This song became popular due to the recordings by the Jimmy Dorsey Orchestra, Vera Lynn , and Dick Contino .
"Amigo" (English: "Friend") is a popular song written by Brazilian songwriters Erasmo Carlos and Roberto Carlos (no relation) and originally recorded by the latter in Portuguese in 1977. As with many other of his songs, Roberto Carlos also recorded a Spanish-language version, with lyrics by Budd
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días , Walk to Emmaus , and Kairos Prison Ministry .
A. A Dios le Pido; A la Nanita Nana; A la Primera Persona; A las Barricadas; A Medio Vivir (song) A Palé; A Pedir Su Mano; A Puro Dolor ¿A quién le importa?
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
With exception of the last track, which was previously unreleased, together with "Latin Lingo," and "Tres Equis" which appeared on Cypress Hill, the album features old songs with new Spanish lyrics. The instrumental of the song 'Siempre Peligroso', would later be re-used in 'We Live This Shit', on Skull & Bones .