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A proportion is a mathematical statement expressing equality of two ratios. [1] [2]: =: a and d are called extremes, b and c are called means. Proportion can be written as =, where ratios are expressed as fractions.
As Novalis put it, "The musical proportions seem to me to be particularly correct natural proportions." [3] Alternatively, it can be described as the tuning of the syntonic temperament [1] in which the generator is the ratio 3:2 (i.e., the untempered perfect fifth), which is ≈ 702 cents wide. The system dates back to Ancient Mesopotamia;. [4]
The intervals of 5-limit just intonation (prime limit, not odd limit) are ratios involving only the powers of 2, 3, and 5. The fundamental intervals are the superparticular ratios 2/1 (the octave), 3/2 (the perfect fifth) and 5/4 (the major third). That is, the notes of the major triad are in the ratio 1:5/4:3/2 or 4:5:6.
The base ratio is then multiplied by a negative or positive power of 2, as large as needed to bring it within the range of the octave starting from C (from 1:1 to 2:1). For instance, the base ratio for the lower left cell ( 1 / 45 ) is multiplied by 2 6, and the resulting ratio is 64:45, which is a number between 1:1 and 2:1.
The ratio of width to height of standard-definition television. In mathematics, a ratio (/ ˈ r eɪ ʃ (i) oʊ /) shows how many times one number contains another. For example, if there are eight oranges and six lemons in a bowl of fruit, then the ratio of oranges to lemons is eight to six (that is, 8:6, which is equivalent to the ratio 4:3).
In mathematics, the supersilver ratio is a geometrical proportion close to 75/34. Its true value is the real solution of the equation x 3 = 2 x 2 + 1. The name supersilver ratio results from analogy with the silver ratio , the positive solution of the equation x 2 = 2 x + 1 , and the supergolden ratio .
Meantone temperaments can be specified in various ways: By what fraction of a syntonic comma the fifth is being flattened (as above), the width of the tempered perfect fifth in cents, or the ratio of the whole tone (in cents) to the diatonic semitone. This last ratio was termed " R " by American composer, pianist and theoretician Easley Blackwood.
In mathematics, the plastic ratio is a geometrical proportion close to 53/40. Its true value is the real solution of the equation x 3 = x + 1. The adjective plastic does not refer to the artificial material , but to the formative and sculptural qualities of this ratio, as in plastic arts .